2. Thieves in My Mind
3. Weight of the Wounded
4. So Wild
5. Catastrophe Proof
6. Tick Tick Tick
To say Dirty Dirty is a Rock band is no lie, even Metal in a classic sense. The hard hitting, seductive, and raw elements within their music have been inspired by classic and modern Glam, Indie, Stoner, Metal and Punk predecessors like The Stooges, Kyuss, Le Butcherettes, Melvins, Metz, Soundgarden —making every hit a rebuttal the subtle oppression of passive aggression and ghost culture in a growing tech city. -New Noise Magazine
“It’s heavy, dirty, raw, and rocking, and performed by just two people. Yeah, you read that right; Dirty Dirty is a duo, known for having the loudest rhythm section in Seattle (a statement we definitely agree with). The listening experience is visceral and furious; I felt like I was being propelled forward with every crash of the cymbals, thundering kick of the drums, and scathing guitar riffs.”
-Left Bank Magazine
"Heavy fuzz guitars, grunge-punk all up and down, and vocals that kicks your teeth just for fun, the addictive and raucous sounds of DIRTY DIRTY is here to stay, and you can’t say nothing about it.
It’s the sound that makes you go “Oh yea. That’s how it was.” Then you smash your eye glasses to bits, as you mosh to tunes that frees your deeply hidden needs for something cool. And that’s where Dirty Dirty lies, and belittles your giant cup of icy-slushy."
“With progressive, fuzzy rock weirdness and vocals capable of inciting madness, two piece rock group Dirty Dirty exploded onto the scene in 2015 with their self-titled debut EP. What I find most remarkable about the group is that they are skilled enough to impress prog-rock fans and other musicians, but within the context
of actual songs… the kind of songs that stick with music fans of all stripes, even after they’re done nodding along with the band’s technical acumen.”-NadaMucho
“Dirty Dirty bashes out a mutant fusion of garage-punk and groove-infused metal with a sturdy two-dude configuration, highlighted by bassist Ian Forrester’s Freddie Mercury-gone-artpunk
Kelly Fleek //
‘Deadline’ spotlights the gritty and bombastic tone that blankets the
bands music. This fuzz-rock duo is aged in the dark winters of the
Pacific Northwest with their foundation of thick, distorted guitars,
howling melodies and distinctive grooves. The pair has earned a
reputation as an enthralling, magnetic live band. Slinky, powerful
and seductive, the band employs a stripped down instrumentation
to create a lush and richly sonic wall of sound.
After three years of regional tours supporting two EPs, the loudest rhythm section in Seattle began work on a full length album feeling they had discovered a channel for heavy, noisy fuzz rock that complimented the lyrical and vocal energy of their song writing, as well as moving towards a less formal sense of the art. The hard hitting, seductive, and raw elements within their music have been inspired by classic and modern Glam, Indie, Stoner, Metal and Punk predecessors like The Stooges, Kyuss, Le Butcherettes, Melvins, Metz, Soundgarden, making every hit a rebuttal to the subtle oppression of passive aggression and ghost culture in a growing tech city.
"Deadline" was engineered at Studio Litho by Derek Moree and Griffin Recordings by Reed Griffin. It was mixed by Derek Moree at The Boiler Room and mastered by Ed Brooks, Resonant Mastering. Mastered for vinyl by Levi Seitz, Blackbelt Mastering.